прекрасное интервью с Тони Люном вышло особенно понравились истории о работе с Сяосянем I seldom went out after work, and I spent a lot of time in my hotel. Hou Hsiao-hsien knew I loved to read, so he gave me a lot of Japanese literature, and then all kinds of other literature, which opened up my imagination about acting. (о City of sadness) There are a lot of characters in that movie, and we drank real wine and ate food that was freshly prepared. And after we finished all the shooting, we went back home, and after three months Hou Hsiao-hsien asked us to come back to shoot again from the very beginning! I think he felt that all the actors were now in the right state of mind. (о Flowers of Shanghai) и Кар-Ваем I was working on two movies: In the daytime, I worked for Johnnie To, and in the nighttime I worked for Wong Kar-wai. So I always fell asleep on the set, and Wong Kar-wai never woke me up. He’d just let me sleep for a while. I spent a lot of time with him outside work. I went to his office almost every day. He was always trying to write. I’d bring two bottles of wine and then go to his office. We shared our music, and we shared what kind of movies we loved. He introduced me to some movies that I had never seen before, like Jim Jarmusch and stuff like that. For almost one year, we’d hang out like that in his office, just the two of us. Four or five hours every night. That’s how we built up our trust. совсем не Марвел, совсем))))