к слову про 'дьяволов' кена рассела : за сет-дизайн там отвечал дерек джармен, который случайно познакомился с джанет дойтер, подругой рассела, в париже. на тот момент джармен занимался преимущественно живописью и театром и таким образом перешел в большое кино. вот из дневника : On the train waiting to return home, I noticed a girl carrying two heavy suitcases. Something about the way she was dressed and her long hair told me she was English, so I shouted out of the window that there was a spare seat in our carriage, and she clambered in. Throughout the eight-hour journey we chatted about the theatre and painting. Janet Deuter was teaching at Hornsey in the experimental light and sound department. She was a friend of Ken and Shirley Russell so she told me of their new film project, The Devils. When we parted company she told me that she’d tell Ken about me, as she was convinced we would get along. I soon forgot about this. But a day later the phone rang and Ken asked me if he could come over — ‘Tomorrow’. OK I said. ‘I’ll be there at eight in the morning,’ and at eight he arrived in the freezing empty warehouse at Upper Ground. He was bowled over by the building and while we huddled over mugs of tea I pulled out the odd drawing from Jazz Calendar and the Don, plus various other projects I had worked on. After looking at them briefly he asked me to design The Devils. I was quite taken aback by the suddenness of this offer, as I’d promised myself that after Don Giovanni I would never design again. I asked him if I could think it over, and he gave me twenty-four hours. ‘In the meantime can Shirley come to tea to meet you?’ In the evening I rushed out to see Women In Love. On the strength of that, and conversations with a few friends, I decided to plunge in... и вот тут есть всякие записи со времен работы над 'дьяволами'.