Вышла рецензия на «Татуировку пустотой», by Серёжа Гуськов, ин инглиш. Morozova proposes that the artist’s book moves from the flatness of the page through spatial expansion into three-dimensional form before ultimately returning to the plane of the screen. Yet both the initial stage – the imaginative space of literature and the architecture of the book – and the final one – the digital interface and networked environment – also possess their own kind of volume, unfolding into virtual and hypothetical dimensions rather than physical space. It is perhaps this final, poetic dimension that lends the exhibition its particular grace.